Aspirants Season 3 thrives on its character-driven moments and good performances, but is let down by uneven writing and a diluted focus on its breakout character, observes Sreeju Sudhakaran.
Chiraiya could have been a powerful, hard-hitting series but it ends up feeling scattered and emotionally uneven, observes Divya Nair.
Paresh Rawal has robustly defended Prime Minister Narendra Modi, dismissing claims of divisive politics and asserting that Modi 'never does Hindu-Muslim politics.
At a time when the politics of hostility has engulfed the world and escalated it into senseless wars Main Vaapas Aaunga's unwavering belief in love is a testament to cinema's uplifting gifts, notes Sukanya Verma.
Kudos to the makers for attempting to create a meaningful series, Bandwaale, that blends the beauty of music to inspire you to look within, and find your voice, raves Divya Nair.
Even with its flaws, Toh, Ti Ani Fuji stays with you because of how real it feels, notes Mayur Sanap.
Ratheesh Balakrishna Poduval's latest film Oru Durooha Sahacharyathil (Under Mysterious Circumstances), showcases both his directorial strengths and inconsistencies, starting as a compelling tale of brotherhood before shifting awkwardly into a psychological study.
LIK: Love Insurance Kompany is an ambitious film for its setting, but underscores in both the romance and the humour departments. The world-building is vibrant, the ideas are relevant, but the storytelling lacks the depth and conviction needed to bring them together meaningfully
Ranapati Shivray: Swari Agra is a riveting film that successfully captures one of the most celebrated event of the Maratha warrior king's life on screen, notes Ishaan Zore.
Peddi buries its powerful story about caste identity and social inequality beneath hero worship, regressive romance and exhausting excesses bemoans Sreeju Sudhakaran.
Aadu 3: Part 1 feels like a film trapped in its own ambition. While it expands the universe in an interesting manner, it loses sight of the tight, irreverent humour that made the previous films click in the first place, notes Sreeju Sudhakaran.
Jazz City could have been enjoyable had it not been so densely over-plotted and unevenly executed, notes Deepa Gahlot.
From Peranbu to Bramayugam, Padma Bhushan winner Mammootty's recent filmography is proof that legends can keep reinventing themselves, even post 70.
Prathichaya has timely ideas and an interesting moral core, but is weighed down by dated storytelling, predictable plotting, and uneven performances, notes Sreeju Sudhakaran.
'Some people enter our lives not to stay forever, but to leave us changed forever.'
Ananya Panday delighted fans by sharing stunning photographs and videos from her five-day Greek holiday.
Mamla Legal Hai 2 draws humour from its assorted characters, crafting quirky storylines inspired by newspaper headlines, and anchored by consistently strong performances, led by an ever-reliable Ravi Kishan, applauds Sreeju Sudhakaran.
Tehran's dull treatment of a dry premise never makes us feel the complexity of the ongoing Middle East crisis nor the patriotic fervour in John Abraham's voice, notes Sukanya Verma.
Akshay Kumar and Priyadarshan's reunion in 'Bhooth Bangla' attempts to capitalise on nostalgia but ultimately delivers a noisy, recycled, and uninspired horror-comedy that struggles with weak humour, ineffective scares, and miscasting.
Vaazha 2 grows beyond the shadow of its predecessor by refining its tone, strengthening its themes and delivering more assured emotional beats and performances, notes Sreeju Sudhakaran.
As Cocktail 2 approaches, we take a look at Director Homi Adajania's slim but fascinating filmography.
As a film, Maa Inti Bangaram frustrates; as a milestone for Telugu cinema's female-led stories, it deserves to be celebrated.
Producer Boney Kapoor's daughter Anshula Kapoor has tied the knot with Rohan Thakkar, sharing heartwarming glimpses of their traditional wedding ceremony.
Imtiaz Ali's new film Main Vaapas Aaunga is set to delve into the enduring trauma of the 1947 Partition, continuing Bollywood's complex cinematic journey of depicting one of history's most violent and impactful events.
Sunny Deol stars in the upcoming Partition drama Batwara 1947, produced by Aamir Khan Productions and directed by Rajkumar Santoshi, which promises a compelling story of courage amidst historical turmoil.
These modern Hindi films proved that the love triangle still has enough heartbreak, passion and chaos left to captivate audiences.
Aamir Khan and Gauri Spratt tied the knot in a registered marriage ceremony in Mumbai.
Explore Kangana Ranaut's remarkable cinematic journey from her impactful debut in Gangster to her career-defining role in Queen.
Long before Alpha, Bollywood had been retelling the Ramayana in modern settings, sometimes subtly and sometimes not so subtly.
If you are willing to spare four hours of your day on a spy action thriller, Dhurandhar The Revenge will surprise, shock and overwhelm you with its nervous energy, notes Divya Nair.
Before Hai Jawani Toh Ishq Hona Hai hits the screens, we rank Varun Dhawan's best films from passably entertaining to outright fantastic.
Marty Supreme is anchored by a stunning lead performance from Timothee Chalamet, applauds Mayur Sanap.
If dark and twisted crime thrillers and trauma-led violence interest you, you can binge-watch Daldal over the weekend, endorses Divya Nair.
Death may be a tragic affair, but cinema has often found humour lurking even within the morbid.
'You can't put an an arm around Naseer sir and say, "sir, ek aur take karte hain". You got to be clear why you want it.'
Demon Slayer: Infinity Castle's art is SOOOOOOOOOOOOOO good, amazing, terrific, beautiful, imaginative... Avan Verma has run out of words.
As Aamir Khan Productions celebrates 25 years, we rank the 10 best films produced by its star, from the iconic Lagaan to the recent critically-acclaimed Laapataa Ladies.
Though it revisits a terrifying period of Brazilian history, The Secret Agent just skims over the surface of the darkness, not losing its pace, colour, music and a sense of optimism, observes Deepa Gahlot.
'My wife was disturbed. She didn't know how to sleep next to me. It was traumatising.' 'I remember having a frankie at a roadside stall, and a lady came to me and shouted, 'Oh my God!'' 'I said, 'No, no, no... I'm just an actor'.
The fourth season of Undekhi attempts to conclude the saga of the powerful Atwal family but struggles with an overcomplicated plot and a multitude of characters, observes Deepa Gahlot.
